There is some understandable outrage about the Metropolitan Opera’s decision to stage The Death of Klinghoffer.
Some rightly fear that between this and the American Studies Association resolution, European style anti-Semitism thinly disguised as anti-Zionism is being pipelined into the United States.
As alluded to above, the opera is based on the 1985 murder of a helpless 69-year-old American Jewish man, Leon Klinghoffer, confined to a wheelchair—shot in the head while vacationing with his wife on a cruise ship in the Mediterranean Sea. He was murdered by Palestinian Arab hijackers belonging to the Palestine Liberation Front, a component of Yasser Arafat’s Palestine Liberation Organization, and his body dumped into the water…
The opera opens with these words sung by the Chorus of Exiled Palestinians: “My father’s house was razed—In nineteen forty-eight—When the Israelis passed—Over our street.”
So we already know where this is going.
Hijacker Rambo invokes anti-Semitic canards: “Wherever poor men—Are gathered they can—Find Jews getting fat”
Leon Klinghoffer’s daughters were outraged and disgusted by the production.
We are outraged at the exploitation of our parents and the coldblooded murder of our father as the centrepiece of a production that appears to us to be anti-Semitic…
Even the New York Times ran an essay after September 11 indicting the theatrical production for its bigotry.
The Death of Klinghoffer is a production that only a Goebbels could love.
And what’s striking is how much it stands out in the Met’s season. The tawdry piece of pomo bigotry is sandwiched between the work of Verdi, Mozart, Offenbach, Bizet, Rossini, Puccini and Wagner. It’s completely out of place and out of time.
The Metropolitan Opera has been having serious financial problems. Its programs regularly mention support from public funds from the New York State Council on the Arts.
Its 2012 report mentions $500,000 in support from the New York City Department of Cultural Affairs. The year before that it was $100.000.
The Arts website shows six figure funding going to the Metropolitan Opera every year under General Opera Support. There are also other grants. That means that when a terrorist screams about the Jews on stage, he’ll be doing it with funding from New York taxpayers.
Maybe it’s time to put a stop to that.
If the Met wants to promote the murder of 9 percent of the population of New York City, New Yorkers shouldn’t have to pay for it.
That means eliminating all city and state funding for the Metropolitan Opera. The most obvious place to start is by killing the annual six-figure New York State Council on the Arts giveaway.
It’s something that a New York State Senator or Assemblyman can do.
At the Federal level, the Met receives funding from a variety of agencies, including $1 million from the State Department and from the usual suspects such as the Department of Education.