Last Monday, Stalinist-Castroite filmmaker Saul Landau died at his home in Alameda, California. His death inspired major obituaries in our country’s leading mainstream newspapers, including the Washington Post, the Los Angeles Times, and, as expected, the New York Times. If there is one thing you can count on old media for, it is that they will run laudatory tributes whenever a member in good standing of the far Left passes.
I wouldn’t be surprised if during the Academy Awards, when his photo is flashed and his name mentioned in the tribute to those who left the film colony in the past year, there is loud applause and the usual suspects stand in respect. After all, his current project was a film praising the convicted Cuban spies — the so-called Cuban Five — which he was filming with Danny Glover.
It is remarkable how Landau’s politics are described in the obits.
The headline of the NYT obit read: “Saul Landau, Maker of Films with a Leftist Edge, Dies at 77.” I love that term, “leftist edge.” It implies he was an objective observer of the subjects he filmed, but put a slightly leftist tint on them. As writer Douglas Martin put it, Landau “aspired to marshal art and literature to illuminate social and political problems.”
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